Milo's interview with Tara, an eloquent(雄辩的、有口才的)/'elәkwәnt/ housing organizer(组织者、编制者)/'ɒ:gәnaizә/, began on Haven(港、避难所)/'heivn/ Terrace(阶地、梯田)/'terәs/. She alluded(暗指、提及)/ә'lu:d/ to a burglar(窃贼)/'bә:glә/ case and criticized(批评、吹毛求疵)/'kritisaiz/ a militant(好战的)/'militәnt/ landlord group. The raw answer was ambiguous(原始回答含义不明确)/rɑ ˈænsər wɑz æmˈbɪgjuəs/, but a viral(病毒的、病毒引起的)/'vairәl/ caption(说明、字幕)/'kæpʃәn/ made her appear to dub(一下击鼓声、笨蛋)/dʌb/ every young lad(青年、家伙)/læd/ a criminal. Online accounts began to besiege(围攻、包围)/bi'si:dʒ/ her with vulgar(庸俗的、卑下的)/'vʌlgә/ messages. Some portrayed(描绘、描写)/pɒ:'trei/ her poise(平衡、均衡)/pɒiz/ as conceit(自负、空想)/kәn'si:t/ and her nervous giggle(咯咯笑、傻笑)/'gigl/ as sarcasm(挖苦、讽刺)/'sɑ:kæzm/.
Editor Sonia had cut the clip to fit a genre(符合一种体裁)/fɪt ə ˈʒɑnrə/ of quick scandal. She used shorthand(速记)/'ʃɒ:thænd/, removed the sentence that preceded(在...之前、优于)/.pri:'si:d/ Tara's remark, and added dramatic lyric(抒情诗、歌词)/'lirik/ music. The edits evoked(提审、移送)/i'vәuk/ malice(恶意、蓄意害人)/'mælis/ rather than the original sentiment(感情、感伤)/'sentimәnt/. Milo found an overlap(重叠、重复)/.әuvә'læp/ between the clip and a propaganda(宣传、宣传活动)/.prɒpә'gændә/ pamphlet(小册子、活页文选)/'pæmflit/ whose obscure(使变暗、隐藏)/әb'skjuә/ jargon(专门术语、行话)/'dʒɑ:gәn/ aimed to segregate(分离的、被隔离的)/'segrigeit/ tenants. 男“We must adhere to the recording(忠于录音)/əˈdhɪr tɪ ðə rɪˈkɔrdɪŋ/, not fabricate(制造、建造)/'fæbrikeit/ a cleaner excuse.” 女“A blunt(钝的、坦率的)/blʌnt/ correction(订正、改正)/kә'rekʃәn/ may fracture audience trust(损害受众信任)/ˈfrækʧər ˈɔdiəns trəst/ and push us out of the spotlight(离开公众焦点)/aʊt əv ðə ˈspɑˌtlaɪt/.”
Tara arrived wearing a blue vest(背心、汗背心)/vest/, visibly(看得见地、明显地)/'vizәbli/ numb(使麻木、使昏迷)/nʌm/ after two days of abuse. She did not aspire(渴望、立志于)/ә'spaiә/ to become an idol(偶像、崇拜物)/'aidәl/; her quest(探索、寻求)/kwest/ was accurate coverage. Her testimony(证言、证据)/'testimәni/ showed that the missing clause reversed the meaning(颠倒了含义)/rɪˈvərst ðə ˈminɪŋ/. She had used burglar as an antonym(反义词)/antonym/ of neighbor(邻居)/'neibә/, not as a label. The distinction was not negligible(不可忽略)/nɑt ˈnɛglɪʤəbəl/. 女“Your edit turned my warning against propaganda into propaganda.” 男“I will publish the complete verse(诗、韵文)/vә:s/ of your answer and explain every cut.”
Sonia's intuition(直觉、直觉的知识)/.intju:'iʃәn/ said traffic would fall, pending a tertiary legal review(等待三级法律复核)/ˈpɛndɪŋ ə ˈtərʃəri ˈligəl ˌrivˈju/. Yet the source file consoled(控制台)/kәn'sәul/ nobody while hidden. A satire(讽刺文学、讽刺)/'sætaiә/ account had already turned the affair into a pyramid(角锥、金字塔)/'pirәmid/ of cliche(陈腔滥调、凸印版)/'kli:ʃei/ and false quotations(引用语、语录)/kwәu'teiʃәn/. One secular(世俗的、现世的)/'sekjulә/ group applauded Tara; another used her words to justify a stray(走失的家畜、浪子)/strei/ attack. Sonia heard(语境补充词)/hərd/ Tara groan(呻吟、叹息)/grәun/ and stopped defending the edit. 女“We will disregard(忽视、漠视)/.disri'gɑ:d/ the traffic forecast and correct the record(更正记录)/kərˈɛkt ðə ˈrɛkərd/ today.” 女“Include the audio, the transcript, and a clear account of what changed.”
A viral caption made Tara appear guilty online. We must adhere to the recording not a convenient excuse. Your edit turned my warning into propaganda. I will publish the answer and explain every cut. Anonymous claims require verification(需要核验)/ˌrikˈwaɪər ˌvɛrəfəˈkeɪʃən/ before publication(出版物、出版)/.pʌbli'keiʃәn/ today. The newsroom(新闻编辑部、报刊阅览室)/'nju:zru:m/ restored the full answer, replaced the caption, and published an editor's note. It also explained how satire, sarcasm, and selective(选择的、选择性的)/si'lektiv/ context can distort testimony. Sonia did not console herself with the claim that everyone edits. The correction could not erase every hostile post, but it gave readers(语境补充词)/ˈridərz/ evidence and returned Tara's own voice to the story.